A couple years ago, Cursive responded to The Ugly Organ (Saddle Creek, 2003) with a definite political-themed album interspersed with their unique spinning of entangled tales. Intertwining references continued with their fourth album, Happy Hollow (Saddle Creek, 2006). Musically, not as diverse, yet just as inventive with its depth of unmatched storytelling. The same can(…)